Kathy Temin

Place of residence 1996-1997 in London on an Anne and Gordon Samstag Scholarship for Visual Arts
Place of residence 1997-1998 in New York at the Australia Council PS1 studio
Place of residence 1998 - 1999 in New York

Place of residence 1999 - 2000, Epernay, France

EDUCATION

Associate Professor, Monash Art Design and Architecture (MADA), Monash University

SOLO EXHIBITIONS

Mothering Gardens, Roslyn Oxley9 Gallery, Sydney

The Koala Room, Bella Room Commission, National Centre for Creative Learning, Museum of Contemporary Art, Sydney

TheMemorialProject, Gus Fisher Gallery, Auckland

Pet Cemetery, Anna Schwartz Gallery, Melbourne

Black Gardens, Roslyn Oxley9 Gallery, Sydney.

MyMonument:WhiteForest, Queensland Art Gallery | Gallery of Modern Art, Brisbane

Memorial Gardens, Anna Schwartz Gallery, Melbourne

My Monument: Black Garden, Art Gallery of New South Wales Contemporary

My Landscape, Hamish McKay Gallery, Wellington

My Monument: Black Cube, Anna Schwartz Gallery, Melbourne

Kathy Temin, Heide Museum of Modern Art, Victoria

Indoor Sanctuary, Allens Arthur Robinson, Deutsche Bank Building, Sydney

Indoor Gardens, Roslyn Oxley9 Gallery, Sydney

My House, My Kylie, My Chateau…….My Everything, VCA Margaret Lawrence Gallery, Melbourne

Kathy Temin, Hamish McKay Gallery, Wellington, New Zealand

Kathy Temin, Sue Crockford Gallery, Auckland, New Zealand

My Kylie, ICA, London, UK

Auditions for a pair of koalas, Galerie van Gelder, Amsterdam, Netherlands

Auditions For a Pair of Koala's and Frozen, Staged and Abstracted Moments (as part of My Kylie Collection, Hamish McKay Gallery, Wellington, New Zealand

Auditions for a pair of koalas, Anna Schwartz Gallery, Melbourne

Frozen, Staged and Abstracted Moments (as part of My Kylie Collection) and launch of A magazine (as part of My Kylie collection), Roslyn Oxley9 Gallery, Sydney

A magazine (as part of My Kylie collection), Gertrude Contemporary Art Spaces (Front Gallery), Melbourne

My Kylie Collection: Part 2, Monash University Gallery, Caulfield, Melbourne

Hamish McKay Gallery, Wellington, New Zealand
Anna Schwartz Gallery, Melbourne

Felt Habitat, Roslyn Oxley9 Gallery, Sydney and Hamish McKay Gallery, Wellington, New Zealand
Model Homes 1999, Galerie Van Gelder, Amsterdam

Kathy Temin,Anna Schwartz Gallery, Melbourne

Some of my favourite things, Habitat Store, Tottenham Court Rd, London, UK
Cat Mat, Cleveland, London, UK

Model Homes, Roslyn Oxley9 Galley, Sydney and Hamish McKay Gallery, Wellington, New Zealand
Home Dis-play, Anne Schwartz Gallery, Melbourne

Wall Drawing with Parts 1990 - 1995, Institute of Modern Art, Brisbane
Kathy Temin,Roslyn Oxley9 Gallery, Sydney
New Work, Galerie van Gelder, Amsterdam
Wall Drawings, Object and Videos: Made in New Plymouth, Govett Brewster Art Gallery, New Zealand
Three Indoor Monuments, The Australian Center for Contemporary Art, Melbourne

Dis-play Problem, Anna Schwartz Gallery, Melbourne
In the Box Dis-Play: video, CBD Gallery, Sydney
Art Cologne 94, International Sponsorship Programme for Young Artists, Cologne, Germany

Kathy Temin,Sutton Gallery, Melbourne
Kathy Temin,Roslyn Oxley9 Gallery, Sydney
An Art Film, Store 5, Melbourne

Kathy Temin,Roslyn Oxley9 Gallery, Sydney
Kathy Temin,Sutton Gallery, Melbourne
Kathy Temin,Bellas Gallery, Brisbane

The Duck-Rabbit Problem, 200 Gertrude Street, Melbourne

Terracotta-DAS Sculptures, Store 5, Melbourne
Wall Drawings, Store 5, Melbourne
Repenting For My Sins, Store 5, Melbourne

Photocopies, Store 5, Melbourne

GROUP EXHIBITIONS

From the Ground Up as part of Connecting the World through Sculpture, Monash University Museum of Art, Melbourne

Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra

Sydney Contemporary, Roslyn Oxley9 Gallery, Sydney

Soft Core, Shepparton Art Musuem, Victoria

Every Brilliant Eye: Australian Art of the 1990s, National Gallery of Victoria, Melbourne

Today Tomorrow Yesterday, Museum of Contemporary Art, Australia
Softcore, curated by Michael Do, Casula Powerhouse Arts Centre, NSW (Touring)

Neverwhere,Gaia Gallery, Istanbul, Turkey

21stCenturyHeide:TheCollectionsince2000, Heide: Museum of Modern Art, Melbourne

GROUP SHOW: Tony Clark, Dale Frank, Kathy Temin & Jenny Watson, Roslyn Oxley9 Gallery, Sydney

MelbourneNow: DrawingNow, National Gallery of Victoria, Melbourne

Witness, Linden Gallery, Melbourne

Louise Bourgeois and Australian Artists, Heide Museum of Modern Art, Melbourne

Australia, Royal Academy of Arts, London.

Less is More, Heide Museum of Modern Art, Melbourne

LouiseBourgeoisand AustralianArtists, Heide Museum of Modern Art, Melbourne

Forever Young: 30 Years of the Heide Collection, Heide Museum of Modern Art, Melbourne

True Story, Roslyn Oxley9 Gallery

Sonic Youth etc: Sensational Fix, Kunsthalle Düsseldof, Germany
Aftermath, Monash Faculty of Art and Design, Melbourne

Soft Sculpture, National Gallery of Australia, Canberra.

Contemporary Australia: Optimism, Queensland Art Gallery | Gallery of Modern Art, Queensland

ART TLV,Tel Aviv Museum of Modern Art, Israel, curated by Andrew Renton

Sonic Youth, etc: Sensational Fix, LIFE, St. Nazaire, France, MUSEION, Bolzano, Italy, and Kunsthalle Düsseldorf, Germany, curated by Roland Groenenboom in collaboration with Sonic Youth

Bal Tashchit, Thou Shalt Not Destroy, Jewish Museum, Melbourne, curated by Ashley Crawford and Melissa Amore

Popshop, remixing icons of massculture, MU Foundation, Eindhoven, The Netherlands

In praise of blandness, Faculty Gallery, Monash University, Melbourne, curated by Domenico De Clario

Revolving Doors, Uplands Gallery, Melbourne

Artist Makes Video, Art Rage Survey 1994-1998, Griffith University, Queensland College of Art, Brisbane

The Idea of the Animal, RMIT Gallery, Melbourne, Victoria

C'town Bling, curator Anne Loxley, Campbelltown Arts Centre, NSW, Australia

Material Girls and Boys, curated by Barbara Flynn, Deloitte, March-June 2005

Store 5, Anna Schwartz Gallery, Melbourne

New 05, curated by Max Delaney, ACCA, Australian Centre for Contemporary Art, Southbank, Victoria

If the walls could talk: Tony Clark, Callum Morton, David Noonan, Kathy Temin and Jenny Watson, Roslyn Oxley9 Gallery, Sydney, Australia

Instinct, Monash University Museum of Art, Monash University, Victoria

Satellite cities and tabloid life, MUMA Monash University Museum of Art, Melbourne

PUBLIC/PRIVATE Tumatanui/Tumataiti,2nd Auckland Triennial, Auckland Art Gallery, New Zealand

Extended Play: Art Remixing Music, Govett-Brewster Art Gallery, New Zealand

Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003)

Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland

The (Ideal) Home Show, Gimpel Fils, London
Art/Music: Rock, pop and techno, Museum of Contemporary Art, Sydney

The Wonder Inn, with Constanze Zikos and Nikos Paperstiargdis, Artspace, Sydney

Amateur Variable Research Initiatives 1900 & 2000, Goteborg Konstmuseum, Sweden

Waiting, Meljby Art Center, Halmstadt, Sweden

All Stars 2000, Roslyn Oxley9 Gallery, Sydney

Interplay, Museum of Contemporary Art, Tucson, USA
Winner Moët & Chandon Art Prize, Moët & Chandon exhibition, Art Gallery of South Australia and touring
Hypervision, Elizabeth Cherry Contemporary Art, Tucson, Arizona
Avant-Gardism for Children, University Art Museum, Brisbane: Monash University Gallery, Melbourne

Claustrophobia, Ikon Gallery, Birmingham, UK
Shop at Up, Up and Co, New York
Everybody Knows, Open Space and Care of Spazio d'art contemporanea, Milan
The Infinite Space: Women, Minimalism and the sculptural object, Ian Potter Museum of Art, University of Melbourne
Wish You Luck, PS1 Studio Program exhibition, PS1 Contemporary Arts Center
Haimish, Jewish Museum, Melbourne
Inglenook, Feigen Contemporary, New York and Illinois University Gallery, Chicago
Furnish, Bendigo Contemporary Art Gallery, Melbourne
Unhomely, Sonje Museum of Contemporary Art, Seoul, Korea

Strangely Familiar, Ikon Gallery, Birmingham, UK
Thoughts, City Racing, London, UK
Humdrum, The Apartment, Coldharbour Lane, Brixton, London, UK
The Seppelt Contemporary Art Award, Museum of Contemporary Art, Sydney

The Second Asia Pacific Triennial, Queensland Art Gallery, Brisbane
Manifesta I, Villa Museumpark, Rotterdam, Netherlands
Ruins in Reverse, RMIT Gallery, Storey Hall, Melbourne
White Hysteria, Experimental Art Foundation, Adelaide
Aerophost, Debtors Prison, Dublin, Ireland
Australia, Familiar and Strange: Australian Contemporary Art, Seoul Arts Centre, Korea

Decadence: Ten Years of exhibitions at 200 Gertrude Street
Wall Drawings, 200 Gertrude Street, Melbourne
Moët & Chandon exhibition, Art Gallery of NSW
Poodles and Pussies, Kate Daw and Kathy Temin, Teststrip, New Zealand
Sculpitecture, Hamish McKay Gallery, Wellington, New Zealand
Monash University Art Prize, Monash University Gallery, Melbourne

Babies and Bambies - Arti et Armicitae, Amsterdam
working with the wall - Ivan Dougherty Gallery, Sydney;
Store 5, Institute of Modern Art, Brisbane
Spoken Because I, MOMA Heide, Melbourne
Aussemblage, Auckland City Art Gallery, New Zealand
Drawings: Louise Bourgeois, Asta Groting, Eva Hesse, Roni Horn, Kathy Temin, Rosemarie Trockel, Rachel Whiteread, Frith St Gallery, London
Romantisystem, curated by Trevor Smith, Canberra Contemporary Artspace, Canberra
Loop Longford Cinema: A Critical Cities Project

Melbourne Seven, David Pestorius Gallery, Brisbane
Drawings as Drawings, Galerie Van Gelder, Amsterdam

Wit's End, Museum of Contemporary Art, Sydney
Lauren Berkowitz, Stephen Bram, Debra Ostrow, Kathy Temin, curator Natalie King, Studio 14, 200 Gertrude Street, Melbourne
High Pop, curator Jeff Gibson, Roslyn Oxley9 Gallery, Sydney
Monster Field, curator A.D.S. Donaldson, Ivan Dougherty Gallery, Sydney
Perspecta, Art Gallery of New South Wales
The Exact Moment - A Critical Cities, (Melbourne Project)

Dissonance, Art Gallery of New South Wales, Sydney

Architectural Subjects, Store 5, Melbourne
W.T. Rawleigh Building, Melbourne
Frames of Reference: Aspects of Feminism and Art, Pier 4/5, Sydney
The Subversive Stitch, Monash University Gallery, Melbourne
Association City, 200 Gertrude Street, Melbourne
S.W.I.M. (Support Women Image Makers), Linden Gallery, Melbourne
No. 81 Exultate Jubilate, Store 5, Melbourne
Blundstone Boot Exhibition (Invitational Prize), Chameleon Gallery, Hobart

Self-Portrait Show, Roar Studios, Melbourne
10 Animals, Store 5, Melbourne

Annotations, (collaboration with Brenda Ludeman), 200 Gertrude Street, Melbourne

A3 Photocopies, Store 5, Melbourne

SELECTED BIBLIOGRAPHY

'The presence of absence,' Art News New Zealand, Spring 2015, pp. 96-99

Sonia Hartford, 'The artist as witness in times of disaster', The Age, April 4 2014

Dan Rule, 'Witness, Raven Contemporary, April 16 2014

Bethany Small, 'Kathy Temin, 'Black Gardens', Two Thousand.com, April 2 2013

Adrian Searl, 'Australia', The Guardian, 17 September 2013

Deborah Hart, 'Kathy Temin: Tombstone Garden', Artonview, Issue 73, Autumn 2013

Julie Ewington, Think big, and be loud - Three Generations of Australian Female Artists, Art & Australia, 49, No.3, pp.448-455

Rachel Kent, 'Kathy Temin: Memorial Gardens', Art and Asia Pacific, Issue 81, Nov-Dec 2012

Linda Michael, Louise Bourgeois in Australia (exhibiton catalogue), (Melbourne: Heide Museum of Modern Art, 2012)

Wayne Tunnicliffe, Unmonument, (Sydney: Art Gallery of New South Wales, 2010)

Elizabeth Anne Macgregor, 'Looking Back: Solo Shows', Frieze, Issue 128 January/February, 2011

Jason Smith with contributing texts by Sue Cramer, Naomi Evans and Andrew Renton, 'Kathy Temin,' exh. cat. Heide Museum of Modern Art, Victoria

Kelly Gellaltly, Felt Memorials: A survey of Kathy Temin, Art and Australia 47:1, (Spring 2009) pp. 52-53

Gary Anderson, Kathy Temin Retrospective Survey at Heide, Arts Hub, October 6 2009

Kit Wise, 'Kathy Temin,' Frieze, Issue 114, April 2008, p.174

The Idea of the Animal, RMIT Gallery, Melbourne, Victoria

Robyn McKenzie, The Local Group: Store 5 1989 - 1993, Pitch Your Own Tent: Art Projects, 1st Floor, (cat) Monash University Museum of Art, Clayton, Melbourne

Charlotte Day (ed.) A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 - 2005, published by Black Inc.

Lisa Havilah and Anne Loxley, C'town Bling: A different type of shiny, (cat.), Campbelltown Arts Centre

Max Delaney, New 05 (cat), Australian Centre for Contemporary Art, Melbourne

Karen Burns, The Art of Memory, (cat) Australian Centre for Contemporary Art, Melbourne

Natalie King, 'New 05', Art & Australia, vol. 42, no. 4

Edward Colless, 'Artists stuck in nostalgic gear, New 05', The Australian, Monday, March 28th

Robert Nelson, 'Welcome return to intuition and imagination', Arts Metro, The Age, Wednesday, April 6th

Simon Plant, 'Welcome to me little world', Herald Sun, Wednesday, May 4th

Store 5, (cat.), Anna Schwartz Gallery, Published by Black Inc., Melbourne

Robin Rimbaud, kultureflash, Headlines from London, Interview with Kathy Temin

Liza Vasiliou, Instinct, exh. cat., Monash University Museum of Art, Monash University, Victoria

Stephen Naylor, “Public/Private - Tumatanui/Tumataiti,The 2nd Auckland Triennial,” Art Monthly Australia # 170, June 2004, p. 16 - 18

Louisa Buck, “My Kylie: ICA,” The Art Newspaper, London, March

“Kathy Temin @ ICA, London: Interview with Robin Rimbaud,” Kultureflash Artworker of the Week #25

John A. Walker, Art and Celebrity, Pluto Press, London

Hannah Fink, “Kathy Temin,” See Here Now: Vizard Foundation Art Collection of the 1990s, editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of Art, Thames and Hudson (Australia) Pty Ltd, Victoria, p. 134, 135

Max Delaney, Skeletons in the closet: from the monument to the model - sculpture in the Collection, Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 45 - 51

Ewen McDonald, The ever-expanding field, Monash University Collection: Four Decades of Collecting, ed. Jenepher Duncan and Linda Michael, Monash University and Monash University Museum of Art, Victoria, 2003, p. 32 - 36

Margaret Plant, The Journey from Field to Fieldwork 1968 - 2003, Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46

Daniel Thomas, S & D at NGVA, Art Monthly Australia no. 157, March 2003, p. 27 - 32

Bruce Haines, A Magazine (as part of my Kylie collection) book review, Art Monthly, no. 261, November 2002, pg. 42

Charles Green, Into the 1990s: the decay of postmodernism, Fieldwork: Australian Art 1968 - 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), p. 100 - 111

Kathy Temin, Audition for a Pair of Koalas, Cabinet, Issue 4, Summer 2001.
Alison Barclay, Big on Kylie, (Arts and Entertainment), Herald Sun, 12 May, 2001, p.112

Martin Coomer, The (Ideal) Home Show, Time Out (UK), no. 16168, August 22 - 29, p. 57

Gregory Williams, Flux Interior, Interior Design, New York

Simon Rees, Art/Music, MCA, Sydney, Flash Art, May/June 2001
Lucy Macgregor, The Visual Voice: When art and music collide, Juice Magazine, no. 102, 06/2001
Chelsea Clark, Kylie for Collectors, The Daily Telegraph, Sydney, March 23, 2001
Alison Barclay, Big on Kylie, The Sun Herald, Saturday, May 12

Sharon Kivland, Kathy Temin, Moet & Chandon, France/Publications, Make, UK, No. 89, Sep-Nov
Nicole Lehmann, French Toast/Travel, Inside Out, October
Megan Backhouse, Heart-felt collages of domesticity: Profile, The Age, Oct 4
Kathy Temin, with essays by Gregory Williams, Claire Doherty, and Giovanni Intra, Moët & Chandon Australian Art Foundation
Sue Spaid, Kathy Temin: Aspect Blindness, Art/Text no 69, May - July

William McAloon, home and away: contemporary Australian and New Zealand art from the Chartwell Collection, Auckland Art Gallery, 1999, p. 126-7, 141

Felicity Fenner, Kathy Temin: Felt Habitat at Roslyn Oxley9 Gallery, Art in America, V. 87, no. 10, October, pg. 176
Bruce James, Oh My God, they've picked Kathy! Sydney Morning Herald, March 10
Susan McCulloch-Uehlin, Media the message as prize uncorked, The Australian, March 12
Christopher Chapman, I © Marie Claire Lifestyle, Broadsheet vol 28 no 2
Susan Shaw, Ideal Home, Very Magazine, New York

Sue Cramer, Front, HQ Magazine, March
Felicity Colman, Kathy Temin, Art/Text, August/October 1998, No. 62, pg. 98
Kim Levin, Shortlist/Voices Choices, Inglenook, Village Voice, July 21
Charles Green, Kathy Temin at Anna Schwartz Gallery, Artforum, October, V. 37, No. 2, pg. 136
Anna Johnson, Tuft Decisions..., Australian Vogue, March
Claire Bishop, Claustrophobia, IKON, Birmingham, Flash Art vol XXXI no 202 October
Yvette Brackman, The Chassis and the Entrails, Claustrophobia, cat, IKON Gallery, Birmingham
Anna Clabburn, Constructing Objects as Signs, The Age, March 11
Anna Clabburn, Kathy Temin at Anna Schwartz Gallery, The Age, March 16
Freida Freiburg, Haimish, Like Art Magazine, 7

Art Text, No. 59, November 1997/January 1998, pg. 28

Natalie King, Seppelt Contemporary Art Award, exh cat., MCA, Sydney

Anna Johnson, Vogue Australia, October
Angela Bennie, Seppelt Art Award, A Toast to Final Five, Sydney Morning Herald, July 15
Rebecca Lancashire, When is an Art Prize not an Art Prize?, The Age, July 16
Rex Butler, Radical Revisionalism, Eyeline, No. 33
Sue Hubbard, Cat Mat, Time Out, London, March 10-17
Stuart Koop, Asia Pacific Triennial, Art/Text, No. 57

John Mangan, Oddity in a Purple Fur, The Age, May 23
Peter Plagans, Bored with the Beach, Newsweek, July 15
Jonathan Turner, Glorious Normality/Manifesta 1, Art/Text, Vol. 55
Raymond Gill, B5/Epicure, Cafe Di Stasio, E3, The Age, August 6
Bruce James, Modern Homes at Roslyn Oxley, Sydney Morning Herald, September 13
Colin Simpson and Donald Williams, Art Now Contemporary Art:Post 1970, Book Two, Published by McGraw Hill

Naomi Cass, Kathy Temin, Art + Text, No.50. January 1995
Natalie King, Dis-splayed, Art and Australia, Vol.32, No.3, Autumn 1995
Naomi Cass, Three Indoor Monuments, Catalogue, ACCA
Peter Haynes, Antisystem, Art and Australia, Vol 32, No.3, Autumn 1995
Felicity Fenner, New Girls, Art and Australia, Vol. 32, No.3, Autumn 1995
Chistopher Chapman, Conceptual Vertigo - New Object Art from Australia, Midwest, Number 6, 1994
Sue Rowley, Kathy Temin, Crossing Borders, U.S. touring exhibition catalogue, 1 1995-97.
Priscilla Pitts, Materiality and Metamorphosis, Kathy Temin: Govett Brewster Art Gallery, New Zealand
Julie Ewington, Three Indoor Monuments, ACGA catalogue, Melbourne
Priscilla Pitts, Interview with Kathy Temin, Midwest Magazine

Robyn MacKenzie, Monuments to Family History, The Age, 2 August
Andrew Renton, The Problem is..., Art and Cultural Difference: An Art and Design publication, London

Babies and Bambies, catalogue, Arti et Armicitae, Amsterdam
Working with the Wall, catalogue, Ivan Dougherty Gallery.
Elwyn Lynn, Working with the Wall, The Weekend Australian, February 19 - 20, 1994
Pam Hansford, The Law of Averages, Art and Australia, Vol 31, #3, Autumn
Juliana Engberg, Spoken Because “I”, Museum of Modern Art at Heide, cat ex.
Judith Pascale, Bogged Outdoors and in a Glass of their Own, The Age, 15/6/94
Bala Starr, In Line with the Present, Art Monthly No.71, July 1994
David Lillington, Drawings: Frith Street Gallery, Time Out, London, 19 July, 1994
Virginia Trioli, Beauty in Ugly Ducklings, The Age, 14/9/94, Melbourne
Felicity Fenner, In the Shoes of the Artist, The Sydney Morning Herald, 7/10/94

Jeff Gibson, The Good, The Bad and The Abstract, Art & Text, no. 44, January 1993
Felicity Fenner, Mirth for the Mind, Sydney Morning Herald, February 27,
Elwyn Lynn, War as an emotion in motion, The Australian, May 8-9, 1993
Felicity Fenner, Lowly grunge meets high pop, Sydney Morning Herald, May 8 1993
Eve Sullivan, The Artist as Curator, Art Monthly, July 1993, no. 61
Kay Campbell, Wits End, catalogue essay, MCA.
Robyn McKenzie, Kathy Temin - Infantile Terrible, Object Relations and the Problem Child, Art + Text, no. 45, May 1993.
Natalie King, Kathy Temin, Sutton Gallery, March 1993, Art + Text, no. 45, May 1993.
Victoria Lynn, Perspecta, catalogue essay, 1993.

Julie Ewington, Frames of Reference, Art & Text, no. 41, January 1992
Juliana Engberg, Problem Child, Kathy Temin, (catalogue), Sutton Gallery, Melbourne
Christopher Heathcote, LikeLove, in Melbourne art will find a way, The Age, 19/2/92
Robert Rooney, Shows go on as X-rays meet funky fake fur..., The Weekend Australian, February 22-23, 1992
Christopher Heathcote, Melbourne, Art Monthly, no. 49, May
Robyn McKenzie, Kathy Temin, Art & Text, no. 42, June 1992
Naomi Cass, Anthropomorphising Formalism at the Haberdashery, Agenda, No. 18
Natalie King, The Subversive Stitch, (catalogue), Monash University Gallery, Melbourne
Frames of Reference: Aspects of Feminism and Art, (catalogue), Artspace, Sydney
Kevin Murray, Contemporary Twists, The Subversive Stitch, Craft Victoria, vol. 21

Caroline Barnes, Exhibition as material proposition, 100 exhibitions at Store 5, Broadsheet no. 20, 4 December

Naomi Cass, Anthropomorphising formalism at the haberdashery, Agenda, no. 18

May Lam, Cuteness and Corporeality: Kathy Temin draws on the wall..., Imprint, Summer

Phillip Hawker, Two heads are better than one, Sunday Herald, November

GRANTS, AWARDS AND RESIDENCIES

2016 Bella Room Commission, Museum of Contemporary Art, Sydney

Arts Victoria Creation

Australia Council New Work Grant

Besen Family Foundation Grant

Arts Victoria Presentation

Arts Victoria Creation

Australia Council: Fellowship

Australia Council, London Studio

Arts Victoria, Grant for International Touring Exhibitions

Visiting artist in residence at Monash University Faculty Gallery, Caulfield

Arts Victoria, New Work/Creation Grant

Winner Moët & Chandon Australian Art Fellowship

Artist in residence at PS1 Contemporary Art Centre (Australia Council studio) New York

The Seppelt Contemporary Art Award, Museum of Contemporary Art, Sydney

Anne and Gordon Samstag International Visual Art Scholarship

International Travel Grant, Australia Council

Artist in Residence, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Quick response grant for international travel and exhibition, Australia Council
Rupert Bunny Foundation International Scholarship, City of Port Phillip, for Three Indoor Monuments exhibition at ACCA, Melbourne

City of Prahran Acquisitive Award of Excellence

PUBLIC COLLECTIONS

Art Gallery of New South Wales, Sydney

Art Gallery of South Australia, Adelaide

Art Gallery of Western Australia, Perth

Chartwell Collection, New Zealand

old Coast City Art Gallery, Brisbane

Govett-Brewster Art Gallery, New Plymouth, New Zealand

Monash University Gallery, Melbourne

Museum of Contemporary Art, Sydney

National Gallery of Australia, Canberra

National Gallery of Victoria, Melbourne

Port Phillip Collection, Melbourne

Queensland Art Gallery, Brisbane

University of Wollongong Collection, Wollongong

Victoria College, Melbourne

Vizard Foundation, University of Melbourne