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Born 1957 in Bayshore,
N.Y., USA
lives in New York City
Education
1980
B.F.A., Parsons School
of Design, New York
Solo
Exhibitions
2004
Sandra Gering Gallery, New York
Kenny Schacter Projects, New York
Sleepwalking on the 27th Floor, Museum of Modern Art, St. Etienne, France
Adrift, Feigen Contemporary, New York
Winter Light, Socrates Sculpture Park, New York
2003
New Science, Galeria Javier Lopez, Madrid, Spain
Electric Circus, Galerie Friedrich, Basel, Switzerland (with Kay
Rosen)
2002
La
Salle de Bains, Lyon, France
2001
Sandra
Gering, New York, NY
Shoshana Wayne Gallery, Los Angeles,
CA
Velan Centro d’Arte Contemporanea, Turin, Italy
Galerie Javier Lopez, Madrid,
Spain
2000
Matthew McCaslin’s Mixed Metaphors, Atrium Gallery, University of
CT, Storrs,CT, curated by Saul Ostrow
C+M Gagllery, Buenos Aires, Argentina
Galerie Rolf Ricke, Cologne, Germany
Galerie Evelyne Canus, Paris France
Funhouse, Sima Gallery, Nuremberg, Germany
1999
Feigen Contemporary,New York
Galerie Javier Lopez, Madrid, Spain
Kunstbunker, Munich, Germany
Shoshana Wayne Gallery, Santa Monica, CA
1998
Works - Sites, Kunstverein St. Gallen Kunstmuseum; Orange County Museum
of Art, Newport Beach, CA; Galerie fur Zeitgenössische Kunst Leipzig;
Kunstverein Freiburg im Marienbad, Freiburg
Feigen Contemporary, New
York
Sandra Gering, New York
1997
Real Artways, Hartford, CT
Baumgartner Gallery, Washington, D.C.
1996
Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria
Galerie Erika & Otta Frieddrich, Bern, Switzerland
Concentrations 28, Matthew McCaslin, Dallas Museum of Art
Shoshana Wayne Gallery, Santa Monica, CA
Galeria Massimo Minini, Brescia, Italy
Collision of Boredom and Meditation, Ateliers d’Artistes de la Ville de Marseille, France
Baxter Gallery, Maine College
of Art, Portland, ME
Currents
65, St. Louis Art Museum, St. Louis, MO
Harnessing
Nature,
Whitney Museum of American Art, New York, NY
1708
Gallery, Richmond, VA
Time Machine,
Galerie Anselm Dreher, Berlin, Germany
1995
Baumgartner Gallery, Washington, D.C.
Lifeline,
Sima Gallery, Nuremberg, Germany
Bloomer,
Michael Klein Gallery, New York, NY
Galerie Rolf Ricke, Cologne, Germany
1994
Sprengel Museum, Hannover, Germany
Kunstverein,
Münster, Germany
Franz Paludetto Gallery,
Turin, Italy
Feigen,
Inc., Chicago, IL
1993
Daniel Newburg Gallery, New York, NY
Chisenhale Gallery, London, UK
Castello
di Rivara, Rivara, Italy
1992
The Museum of Modern Art, (Projects 33), New York, NY
Daniel Weinberg Gallery, Los Angeles, CA
Art and Public, Geneva,
Switzerland
Rolf
Ricke Gallery, Cologne, Germany
Le Consortium, Centre d'Art Contemporain, Dijon, France
Daniel Weinberg Gallery, Los Angeles, CA
Feigen, Inc., Chicago,
IL
1991
Daniel Newburg Gallery, New York, NY
Anthony Reynolds
Gallery, London, UK
Galerie Jennifer Flay, Paris, France
1989
Landscapes of the in between, Daniel Newburg Gallery, New York,
NY
Matthew
McCaslin & Steve Di Benedetto, Daniel Newburg Gallery, New York, NY
1987
Bess Cutler Gallery, New York, NY
1982
Animals, Red Bar, New York, NY
Group
Exhibitions
2004
Fast Forward Media Art/Sammlung Goetz, ZKM- Zentrum fur Kunst
und Medientechnologie Karlsruhe
A Angles vifs, capcMusee d’art contemporain de Bordeaux
Following and to be Followed, Le Consortium, Dijon, France
Segni di luce, A Arte Studio Invernizzi, Milano
Brooklyn Works, Brooklyn Museum of Art, Brooklyn, New York
Flower Power, Museum of Modern Art, Lille, France
2003
Fast Forward Media Art/Sammlung Goetz, ZKM- Zentrum fur Kunst
und Medientechnologie Karlsruhe, Germany
40th Anniversary, Rolf Ricke Gallery, Cologne, Germany, curated by Gunther
Umberg
Following and to be Followed, Le Consortium, Dijon, France
Video Plus, Carl Solway Gallery, Cincinnatti, Ohio
encia Bienalle, curated by Lorand Hegyi
Video Mix, Arario Gallery, South Korea, curated
by Mary Dinaburg
Imago Musee de Beaux Arts, Dole, France
2002
Body Power/Power Play, Worttembergischer Kunstverein Stuttgart, Germany
Seven
Grays,
Paula Cooper Gallery, NY curated by Dan Walsh
Tempo,
Museum
of Modern Art New York, curated by Paolo Hirkenhoff
New
Media Exhibit,
Galerie Simonne Stern, New Orleans, LA; curated by Sandra Gerin
2001
Works, Feigen Contemporary, New York, NY
Energy
Inside, Falconer
Gallery at Grinnell University, Grinnell, IA
Figures Libres, FracFrance-Comte, Dole, France
Night
on Eartch, Stasticsche Kunsthalle, Musnter, Germany, curated
by Ralf Christofori
Collection show at the Jewish Museum,
New York, NY
Young
at Art: Youthful Inspirations, Jersey City, NJ
Media Connec tion, Palazzo Della Eposizioni, Rome, Italy; La-triennale,
Milan, Italy; curated by Gianni Romano
Perfect
10,
Sandra Gering Gallery, New York, NY
Retrospective
Survey: 1987-2000, Wanas Foundation, Wanas,
Sweden
Arsenal
Armory,
The Wandelhalle, Cologne, Germany
2000
Walking, University Galleries, Illinois State University; Normal,
IL; Bucknell Art
Gallery, Bucknell University,
Lewisburg, PA
"Drawings
and Photographs," Matthew Marks Gallery, New York
Objects
that Flicker: Artists’ Videos for the Home, Solomon Projects, Atlanta, GA
Dinge, Haus der Kunst, Munich, Germany
Speed of Vision, Aldrich Museum of Contemporary
Art, Ridgefield, CT
The
Light Show, Gale Gates, et. al, Brooklyn, NY, curated by Christine
Y. Kim
Light x 8:
The Hannukkah project 2000, The Jewish Museum, New
York, NY
Symbols
of Survival,
The Dorsky Gallery, New York, NY
16
Americans, Hallway, London, England
City of Lights:
Art Walk, Chanel, New York, organized
by Downtown Arts Projects, curated by Simon Watson
Sandra Gering Gallery,
New York, NY
1999
Endgames, Kunstmuseum, St. Gallen, Switzerland
As Far As the Eye Can See, Atlanta College of Art
Gallery, Atlanta, GA
Das Davernde, Kunster-lerwerk statt, Munich, Germany
Une Histoire
parmi d’autres, Collection Michel Poitevin, Frac Nord-Pas-de-Calais,
Dunkerque, France
Galerie Rodolphe Janssen, Bruxelles,
Belgium
Bloom, Contemporary Art Garden,
Brescia, Italy, curated by Gianni Romano
1998
Off the Wall, Asheville Art Museum, Asheville, NC
I Love New York, Ludwig Museum, Cologne, Germany
Dijon/le Consortium.coll tout contre l’art contemporain, Centre Pompidou, Paris
Raw
Ideas, John Gibson Gallery, New York, NY
Poseidons
Auge, Handelsfafen der Stadt Linz, Linz, Austria
Es
grünt so grün, Bonner Kunstverein, Bonn, Germany
Rights of Spring, PPOW, New York
Installation,
P.S.1, Long Island City, NY, curated by Marika Wachtmeister
1997
2000 minus 3, Neu Gallery, Graz, Austria
Istanbul Bienal,
curated by Rosa Martinez, Istanbul, Turkey
The
Concrete Signal,
William Patterson College , NJ, curated by Robert Costa
New
Works, Feigen Inc., Chicago, IL
1996
Luminous Bodies, The Rotunda Gallery, Brooklyn, NY
Sculpture
for the Twenty-first Century, John Gibson Gallery, New York, NY
The
Lay of the Land,
University Art Museum, University of California, Santa Barbara, CA
Form als Ziel mundet immer in Formalismus, Galerie Rolf Ricke, Cologne, Germany
Berechenbarkeit
der Welt, Bonner Kunstverein, Bonn, Germany
Drawings, Sandra Gering, New York, NY
Wanas,
Knislinge, Sweden
Departure
Lounge, The Clocktower, New York, NY
The Bare
Wall!..., Michael Klein Gallery, NY
Masculine
Measures, John Michael Kohler Arts Center, Sheboygan, WI
Constructions,
Michael Klein Gallery, New York, NY
Kingdom of
Flora, Shoshana Wayne Gallery, Santa Monica, CA
Urban Structures, Elf Kunstler aus New York, Kunstlerwerstatt, Munich, Gremany
Bonne Annee, Galerie Rodolphe Janssen, Brussels,
Belgium
1995
Drawn on the Museum, The Aldrich Museum of Contemporary Art,
Ridgefield, CT
Inaugural
Exhibition, Thomas Nordanstad Gallery, New York, NY
Oltre la Normalita Concentrica,
Citta di Padova, Padua, Italy
Low Tech, Galerie Christine Koenig, Vienna
Skew:
The Unruly Grid, Gallery 400, Chicago, IL
Rainer
Ganahl and Matthew McCaslin, Sandra Gering Gallery, New York, NY
Art
at the Anchorage, Brooklyn Anchorage, NY
Passions Privees, Musee d'Art Moderne de la Ville de Paris, Paris,
France
Burning Down the House, Anthony Reynolds,
London
Wandstucke
III, Bob Van Orsouw Galerie, Zürich
1994
Not Quiet, Massimo Minini, Brescia, Italy
Country Sculpture,
Le Consortium, Dijon, France
Castello di
Rivara, Italy
Der
Stand der Dinge, Kölnischer Kunstverein, Germany
IVA
IT-Festival, Royal Academy of Engineering Sciences, Stockholm,
Sweden
L'objects dans l'art contemporain, Villa du Parc, Annemasse, France
Baumgartner Gallery, Washington, D.C.
Choix de
Bruxelles, Espace Jacqmotte, Bruxelles, Belgium
Adieu, les
frontièrs!, Bob Van Orsouw, Zürich, Switzerland
Joe's Garage, TZ'art & Co., New
York, NY
1993
Just what is it that makes today's homes so different, Galerie
Jennifer Flay, Paris, France
More than Zero, Centre National d'Art Contemporain de Grenoble, France
Im Blau, Galerie Sophia Ungers, Cologne,
Germany
Project
of the Wandelhalle, Cologne, Germany, curated by Peter Stilper
Cartographies Imaginaries, Fonds Regional d'Art Contemporain, Nord-pas de Clais,
France
Transient Decor, Roger Smith Hotel, New
York, NY
The
Nightshade Family, Friedericianum, Kassel, Germany
Pretty Visible, Massimo Minini, Brescia, Italy
Portland Collects, Portland Museum
of Fine Art, Portland, OR
10th
Anniversary Exhibition, Daniel Weinberg Gallery, Los Angeles, CA
Prospect
93, Schiern Museum, Frankfurt, Germany
Simply
Made in America,
The Aldrich Museum of Contemporary Art, Ridgefield, CT
1992
Three or More, a Multiple Exhibit, Spiral/Wacoal Art Canter, Tokyo,
Japan
Translation, curated by Kim Levin,
Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Works-Concepts-Processes-Situations-Information, curated by Robert Nickas,
Galerie 1900-2000 & Galerie de Poche, Paris, France
Felix
Gonzales Torres, Liz Larner, Christian Marclay, Matthew McCaslin,
Galerie Jennifer Flay, Paris, France
The Big Nothing,
The New Museum, New York, NY
1991
Daniel Weinberg Gallery, Los Angeles, CA
Home for June, Home for Contemporary Theatre
and Art, curated by Eric Oppenheim, New York, NY
Invitational, curated by Collins and Milazzo, Tony Shafrazi Gallery,
New York, NY
The Collection of Jason Rubell, Duke University Museum,
Durham, NC
Castello di Rivara, curated by Benjamin Weil,Turin, Italy
The Museum of Natural History, Galerie Barbara Farber,
Amsterdam, Netherlands
Mexic/arte,
Austin, TX
Daniel Newburg
Gallery, New York, NY
Idiosyncrasies
in the Expanded Field, Postmasters Gallery, New York, NY
1990
Works in Progress? Work?, Andrea Rosen Gallery, New York, NY
The Mattress
Factory, Pittsburg, PA
Stendhal
Syndrome: The Cure, Andrea Rosen Gallery, New York, NY
The Degraded
Work, Jack Tilton Gallery, New York, NY
Gallery Artists,
Daniel Newburg Gallery, New York, NY
The Grid,
Vrej Baghoomian, New York, NY
Information,
Terrain, San Francisco, CA, curated by Robert Nickas
1989
Une Autre Affaire, Le Consortium, Dijon, France, organized by Le
Consortium, Robert Nickas, and Catherine Queloz
DiBenedetto,
McCaslin, Mosset, Noland, Parrino, Stahle, Daniel Newburg Gallery, New York,
NY
AIDS
Benefit, Annina Nosei Gallery, New York, NY
1988
Works, Concepts, Processes, Situations, Information, Galerie Hans
Mayer, Dusseldorf, Germany, curated by Robert Nickas
Sunrise Highway,
John Gibson Gallery, New York, NY
Sculpture,
Bess Cutler Gallery, New York, NY
1987
The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland, de
Appel, Amsterdam, Netherlands, curated by Robert Nickas
Maison des Expositions, Lyon, France
P.S.1, Special Projects, Long Island
City, NY
1986
Mind-Matter, Bess Cutler Gallery, New York, NY
1985
Small Works, Big Ideas, Pan Arts Association, Brooklyn, NY
1984
Semi (OP) tics, International with Monument, New York, NY
Projects, Grants, Avards
1993
Damage Total, Postmasters Gallery, New York, NY
Nature's
Ways, Galerie Rodolphe Janssen, Bruxelles, Belgium
Steve Di
Benedetto & Matthew McCaslin, Gallery Jurgen Becker, Hamburg,
Germany
Bibliography
-
Catalogues and Books
2000
Matthew McCaslin, Funhouse, sima gallery, Nuernberg, ISBN 3-935940-05-X
1997
Matthew McCaslin, Works - Sites, Cantz Verlag, ISBN 3-89322-416-5
1995
Matthew McCaslin, Two Installations, Lifeline - Site, sima
gallery, Nuernberg, ISBN 3-935940-01-7
1994
"Passagenwerk Matthew McCaslin in Hannover Museum," Hannover,
Germany,March 10, 1994
Matthew McCaslin, Cants Verlag, Reihe Ausstellungen Exhibitions
1993
Matthew McCaslin, Paludetto, Franz, Castello di Rivara, exhibition
catalogue, interview with Robert Nickas
1992
Daftari, Fereshteh, Projects 33
- Matthew McCaslin, Museum of Modern Art, New York, 1992
Borriaud,
Nicolas, Colapsed Structures, Not Quiet, exhibition catalogue,
Galerie Jennifer Flay, Paris
1989
Works,
Concepts, Processes,Situations, Information, Galerie Hans Meyer, Dusseldorf,
West Germany
1987
The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland
- Articles and
Reviews
2001
Schwendener, Martha, “Matthew McCaslin,”
Time Out New York, November 1-8, 2001, p. 58
2000
Canizares, Claude R., “X-Ray Visionaries,”
The Sciences, May/June 2000, pp. 26-31.
“A Contemporary Chanukah,” Newsday,
December 22, 2000, part 2, p. B2.
Cullum, Jerry, “Video That Aspires
to be Collectible Art,” The Atlanta Journal-Constitution, December
22, 2000, p. Q8.
Feaster, Felicia, “Image Conscious,” Creative Loafing, December
23, 2000, p. 44.
Harris, Susan, “Matthew McCaslin at Feigen Contemporary”, Art in America,
May 2000, pg.163
“Joyful and Triumphant, a Sparkling City Beckons,” The New York Times,
December 25, 2000.
“Matthew McCaslin,” The New Yorker, December 27-January 3, 2000.
Rosenthal, Stephanie, Letting go, in: McCaslin, Funhouse,
Galerie Sima, Nuremberg, 2000 (publ.)
Sirmans, Franklin, “The Light Show (review), Time Out New York,
October 12-19, 2000, issue no. 264, p. 58.
Stark, Rachael, “’The Light Show’ and ‘Maintaining the Myth of Control,’”
NYArts, October 2000, p. 67
1999
Bell, J. Bowyer, “Matthew McCaslin
(review),” Review, December 15, 1999, p. 39.
Byrd, Cathy, “Land, Lots of Land,” Creative Loafing, February 13,
1999, vol. 27, no. 39.
Fox, Catherine, “The New Landscapes,” The Atlanta Journal-Constitution,
February 19, 1999, p. Q8.
Ise, Claudine, “Light Show: Matthew McCaslin,” Los Angeles Times,
January 1, 1999, p. F33.
1998
Barvin, Edie, “Tuned In,” Allen’s,
May 21, 1998.
Curtis, Cathy, “Electric Ave.,” Los Angeles Times, June 2, 1998.
Damianovic, Maia. “New York at Chelsea”,
Tema Celeste, July-Sept 1998, p.51
Diehl, Carol. “Matthew McCaslin”, Artnews, June 1998, pg.125
Johnson, Ken. “Matthew McCaslin”, New York Times, February 13,
1998
Knaff, Devorah, “Unlovely Technology Serves a Lovely Aim,” The
Orange County Register, Fine Arts section, May 31, 1998, p. 29.
Levin, Kim.
“Matthew McCaslin”, TheVillage Voice, March 10, 1998, (Voice choices)
Mendenhall, Lauri, “Matthew McCaslin:
Cool Cable Guy,” Allen’s, June 18, 1998
Weil, Rex, “Matthew McCaslin,” Artnews, March 1998, pp. 178-179.
1997
Panzera, Mauro, Flash Art,
December ‘96/January’97
Rosso, Sonia, “Matthew McCaslin at Massimo Minini, Tema Celeste,
1997
Zimmer, William, New York Times,
Connetticut section, April 27, 1997
1996
Decter, Joshua, "Installations
From On High - Matthew McCaslin," Flash Art, Nov/Dec, 1996
Hoist-Ekström, Mans, “Food for Thought”, Wanas Sculpture Magazine,
October, 1996
Kaminer, Wendy, “Manhood in America”,
New York Times, 1996
Killam, Brad, New Art Examiner,
September, 1996, p. 49
Klein, Michael, “Matthew McCaslin’s
Circuits,” Sculpture, 1996, pp. 12-13.
Scarbourough, James, “Chicago’s Must-See,”
Art & Auction, May 1996, pp. 146-147.
Tyson, Janel,”Waves of Technology,” Star Telegram (Dallas), December
8, 1996, p. H8
1995
Kliemann, Thomas, Matthew McCaslin,
Life-Site, Galerie Sima, Nuremberg,1995 (exh.cat.)
Tanguy, Sarah, Sculpture, vol.14, no. 4, July-August, 1995, p.
41
1994
ArtArt, Baustelle, Germany
Art Press International,
Le Consortium Deux Collections, 1994
Denk, Andreas, "In Baum," Kunstforum, Germany, 1994
Friedman, Carl, "Wired,"
Frieze International , 1994
Gray, Lori, “McCaslin’s Works Make
Good Use of the Tools of his Trade,” Chicago Tribune, Sec. 7, December
16, 1994, p. 88.
"Matthew McCaslin, “Kunstforum, Germany, 1994
Troney, Eric, L'endroit idèal, France, 1994
1993
Faust, Gretchen, "Matthew McCaslin,"
Forum International , 1993
Nickas, Robert , “Matthew McCaslin”, Paludetto, Franz, Castello
di Rivara, exhibition catalogue, 1993
1992
Aufwand, Ricke-Ausstellung, Kolner-Stadt-Anzeiger, Cologne, April 25-26,
1992
Borriaud, Nicolas, "Colapsed Structures," Not Quiet,
exhibition catalogue, Galerie Jennifer Flay, Paris, 1992
Bouley, Natalie, "A la recherche de l'humanite perdue," Dijon,
France, January 1992
Cotter, Holland, "A builder's
eye - Matthew McCaslin," Art in Review, The New York Times,
May 15, 1992
Daftari, Fereshteh, "Projects
33 - Matthew McCaslin," Museum of Modern Art, New York, 1992
"Jeunes Artistes Americaines: Post Sixties," P.C., Liberation,
Paris, April 5, 1992
Levin, Kim, "Matthew McCaslin,"
TheVillage Voice, New York, 1992
Pique, Pascal, "Dijon - McCaslin,"
Kanal, Eurpoe no.2, April-May 1992
Troney, Eric, "Not Quiet,"
Art Press, Paris, June 1992
1991
Avgikos, Jan, "Matthew McCaslin," Artforum, May, 1991,
p. 45de Bruyin, Eric, "Matthew McCaslin,"
Artscribe, 1991, No. 87
Decter, Joshua. “Matthew McCaslin,
“ Artforum, May, 1991, p.105-106
Di Pietrantonio, Giacinto, interview of Benjamin Weil, Flash Art,
Nov/Dec 1991
Levin, Kim, "Matthew McCaslin," The Village Voice, February
5, 1991, p. 93
Mahoney, Robert, "Matthew McCaslin,"
Arts, April, 1991, p. 104
Mahoney, Robert, "Works in Progress?
Work?," Arts, March, 1991, p. 99
"Matthew McCaslin," The New Yorker, January 1991
Ostrow, Saul, "Matthew McCaslin," Tema Celeste, May-June,
1991, p. 100
Paul, Ardeene, "Matthew McCaslin," Art Press, Paris,
November 1991
Rose, Jennings, "Matthew McCaslin," Time Out, May-June
1991
1990
“Detritus (review),” The New Yorker,
August 6, 1990.
Faust, Gretchen, Arts, February 1990
Hess, Elizabeth, "Caution, Artists Working," The Village
Voice, December 18, 1990
Levin, Kim, “Stendhal Syndrome: The
Cure (review),” The Village Voice, July 24, 1990.
Smith, Roberta, The New York Times, July 6, 1990
Smith, Roberta, "Echoes of the
60's and 70's Among the Young and Little Known," The New YorkTimes
, Friday, November 30, 1990
1989
Mahoney, Robert, “Matthew McCaslin
(review),” New York Press, vol. 2, no. 18, May 5, 1989.
1988
Nickas, Robert, "Entropy and
the New Objects," El Passeante, No. 10, reprinted in Halle
Sud, No. 18, 1988
1987
Nickas, Robert, "The Remake of
the Real," De Appel, no.2, 1987
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